The Sins formed in 2001 as a post-punk entity (inspired by early Brit-pop bands such as the Sisters of Mercy and The Mission, U.K. as well as American rock legends like The Doors). Since their inception, The Sins have consistently captivated audiences with a dynamic stage presence, vigorous showmanship, and strikingly powerful music. With band members from various musical backgrounds and disciplines (including a jazz-influenced live drummer and a classically trained violinist), The Sins boldly pave their own musical path, combining the familiar sounds of the British punk past with their own modern rock influences and ideas. The result is a fascinating blend of genres and sounds from the middle-east-influenced tones of "Ecstasy in Oblivion" – to the old school punk feel of "So Many Ways" – to the darker, more melodic vibe of their earliest recorded track, "Little Girl Lost." Their 2002 debut CD, "The Beginning," quickly become a subculture favorite, spun by underground DJs from coast to coast, as well as in Europe.

What separates The Sins from so many of their counterparts is their cutting-edge diversity, enabling them to appeal to a broader and more varied audience base than goth bands that tend to trap themselves within the genre. Since the release of "The Beginning," their music has been met with devilish enthusiasm while tracks from the CD topped the charts at websites such as MP3.com, SoundClick.com, MySpace, and DarkCellDigitalMusic.net.

The Sins' stunning follow-up CD, "The Last One Kills" was released in the Fall of 2005.